On Monday, 9th May 2011, Yoshi’s world famous jazz club in Oakland, California, will host a press conference held by artists, presenters and media to voice opposition to the recent announcement by the National Academy of Recording Arts and Sciences (NARAS) to eliminate Latin Jazz and many other styles of music from GRAMMY consideration.
If you're not aware of what NARAS did last month to 28% of the GRAMMY categories, please read my original blog post.
One of my main go-to sources for all things Latin Jazz is bassist and educator Chip Boaz's blog The Latin Jazz Corner. I read Chip's blog years before I even thought about starting my own site. He is a wealth of information and is generous with his knowledge. The following is an excerpt from Chip's website:
Over the past couple of weeks, the controversy about the elimination of the Latin Jazz GRAMMY has intensified, drawing responses from across the music world.
In an effort to centralize all angles of the outcry and keep the world informed, Bay Area radio producer Clayton Leander has created the website GRAMMY Watch. This new web site is dedicated to the most current news on the topic and getting more people involved in the fight to resurrect the Latin Jazz GRAMMY. Check it out and bookmark it now - you can find it HERE.
The petition to reinstate the Latin Jazz GRAMMY has been gaining speed over the past week, reading well beyond 2,000 supporters. The current goal is 5,000 supporters, so spread the word now!
If you haven’t signed the petition, take a minute to do so. Then encourage your friends to do the same. A mass number of supporters would go a long way in the fight to reinstate the Latin Jazz GRAMMY. You can find the petition HERE.
I will let the following video of the New York Chapter meeting of NARAS on April 11, 2011, speak for itself. *sigh.
Eddie Palmieri (photo by Martin Cohen)
Here is the official statement from nine time GRAMMY Award winning pianist and bandleader Eddie Palmieri (He was one of the many artists initially denied access to the NYC NARAS meeting in the YouTube video above):
“In unity there is strength, conscientious natural musical minds working together, united in thought will constantly deliver power, the drive and the constant search of the individual mind to create, create, create.”
It was in 1965 that I wrote this in the liner notes of my album, “Azucar Pa’ Ti,” which was one of my most defining compositions in the genre of Latin Jazz. Latin Jazz, originally known as the Instrumental Mambo, happens to be one of the most unique Latin musical forms as it speaks directly to the melding of the African American culture with both the Cuban and Puerto Rican cultures in New York, during a time where we weren’t even allowed to work downtown, (many of the youth do not know this, but in order to work, you had to have a Cabaret card, where the Union and Police could keep an eye on you at all times). This was an era where life was difficult in both Harlem and El Barrio; it was hot, it was exciting, it was ever changing and it eventually melded together and consequently developed into the beautiful and diverse landscape that we know today. It is quite something when I look back on those amazing years, the awe inspiring musical brotherhood that was so dear to me of that time, and it is with great pride that I have seen its legacy continue with so many wonderfully talented musicians throughout the years.
In 1993 I was appointed Governor of the New York Chapter of NARAS where I worked diligently to have the Latin Jazz category become recognized, and it was with great happiness that I saw it come to fruition in 1994. And now it is with a heavy heart that I have seen its elimination, and truly fear its slow and permanent extinction. I call upon everyone now, as a whole, to come together, in UNITY, by starting with your own communities and supporting your local artists and telling your friends and loved ones about a great band you just heard that has that swing, because without the support of the fans, we are not able to record as often as required by NARAS and to the entrepreneurial indie labels, make sure that you file all of the necessary criteria online to NARAS’ website as per submissions, and to all of my fellow musicians out there, (young and old), please become a member of NARAS and get involved with your local Chapter. I am fighting for you, but please join me so now we can fight together. Right now, NARAS is holding everything I just mentioned against us; thus marginalizing our music, culture and people even further. Let me be clear: we have been discredited, we have been discarded and we are being wiped out. But, this can only happen if we allow it and I truly believe in my heart that together we can reinstate the category of Latin Jazz and dig deeply into that soul bag. Aché!
The support of all music lovers is needed now. Click here to show your support. If you're not interested in signing your name publicly, you can sign it anonymously.
Thank you.
Donna