1st Look - Trumpeter Christian Scott's New Project "Christian aTunde Adjuah"! (Video)
May 22, 2012 at 10:01 PM
Donna M in Artists, Christian Scott, Christian aTunde Adjuah, Corey King, Jamire Williams, Kenneth Whalum, Kris Funn, Lawrence Fields, Louis Fouche IIII, Matthew Stevens, New Albums

OOOoOo - this is exciting news! I became friends with Christian about 3 years ago and have been schooled on a lot of jazz and New Orleans history by him. He is delightful to hang around with, always curious and never settles for the status quo.

The new project entitled Christian aTunde Adjuah is going to be a two disc set. It's going to be such a treat for everyone that has embraced Christian Scott and his vision.

The EPK (Electronic Press Kit) below was released earlier today by Concord Jazz on their YouTube Channel.

Enjoy! 


Edison Award winning trumpeter-composer-producer-bandleader Christian Scott releases his compelling new album, Christian aTunde Adjuah. The follow-up to his critically-acclaimed Yesterday You Said Tomorrow is an inspired and provocative two-disc, 23-track collection. With the artist's trumpet at the heart of most of the tunes, the album features reflective ballads, light and dreamy soundscapes, guitar-edged and rock-inflected cookers, trumpet ecstasies as well as clarion calls and anguished wails. 

An intrepid explorer, Scott ups the ante on his new double album Christian aTunde Adjuah, continuing to delve into uncharted jazz territory. Scott's band consists of guitarist Matthew Stevens, drummer Jamire Williams, bassist Kris Funn and pianist Lawrence Fields (whose piano sound is often spiced for effect by using paper on the instrument's strings). Scott also recruited guests tenor saxophonist Kenneth Whalum III, alto saxophonist Louis Fouche IIII, and trombonist Corey King.

Christian aTunde Adjuah is arguably the most personal project to date for the young artist, reflected in the album title, Christian aTunde Adjuah -- the artist's new name, and the album cover -- a photo of the Scott in the traditional attire of his culture the Black Indians of New Orleans.

Article originally appeared on Exploring Jazz Music One Musician at a Time (http://www.elementsofjazz.com/).
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